[M Squared]

Remember for other partial stories and nostalgia try Phil Turnbull's superb No Night Sweats site and Scattered Order's droll Institute of Prat Culture

 

M Squared Disco

M Squared Press Bits

YYC 6: 2002|YYC ARCHIVES: 1982 -2004|MSQUARED|T-SPACE

yayachoral@spin.net.au

 

Patrick Gibson, Michael Tee and Mitch Jones audition for the Teletubbies in 1980 .

 

Michael Tee and Mitch Jones

Actually Mitch Jones paidfor most of the studio Mk Two which was set up after the M Squared studio Mk One (financed mainly by Tee) got stolen.

 

"The Finally Ultimately Tour" was a "package tour" of the east coast of Australia by M Squared bands in February 1982.

 

 

 

 

M SQUARED MEMOIRS

by Michael Tee (Year 46)

 

M Squared - again

People have been telling me that there is a bit of renewed interest in the M squared noises again. Suggestions for a compilation CD to be produced. I wonder if this just a bit of ado about nothing or if there is some genuine interest?

Let me know, please! What stuff do you want to hear? yayachoral@spin.net.au

Also people have been emailing me questions etc.. for interviews for music mags and e-mags etc. Just to let you know I am not interested in talking to these questions, (i find it difficult to keep a straight face) .... but only interested in 'interesting' correspondence. Or perhaps email indicating something that they would like me to put on these pages, as a memoir.

M Squared A moment in time/ index of possibilities

The universe has lost its centre overnight, and woken up to find it has countless centres. So that each one can now be seen as the centre, or none at all. Suddenly there is a lot of room.

Brecht, B (1980) Life of Galileo

For one brief moment in my timein music - with M Squared - the rules were broken, the world was de-centred. Within afairly public arena, we stole music back from the 'experts' and the 'music and art industry'. Anything was possible and nothing was possible. There was a lot of room and not much furniture.

Outside there were lots of other centres / possibilities. Good.

Perhaps i t was a lazy- ironic - couldnt give a fuck - revolution. Perhaps it was an accident.

It didnt last for long .

.Michael Tee July 2004

 

MSquared memoirs on No Night Sweats.

Warning: Dont leave your instruments overnight at Msquared.

Reflection on Xmas 1979 and the Barons - the genesis of Msquared

.Michael Tee April 2004

 

History is being forgotten as we speak...!!!

History is being forgotten as we speak ...!!!

.Michael Tee December 2002

 

The MSquared Secret Squirrel Society

As always we fiddle ... while the world burns ... and I am ashamed and too uncertain!

... and we fiddle .... Meanwhile these partial stories of M Squared will probably remain a secret between you and us, whoever we are. and whoever you are .... " M Squared Secret Squirrel Society". The M Squared people (in 2003) are somewhat removed and indifferent to each other so we won't be pushing to be included in the "Story of Australian Rock" ... hey remember us!!!!

But when I think about it more ... we never thought of ourselves (in the rare moments of solidarity) as an Australian thing ... but more of a global thing.... "World Domination" was our motto in 1980 and now I think we will let the USA claim that one.

Our best little gem was the "builders labourers of the avant garde" or "avant garbage". Not mainstream, not alternative ... perhaps anti-cultdom or anti-alternative - like the joke which ran through earl;y Residents material.

My alibi ... was that I was young /stupid/arrogant and not drug free/then drug less... so don't believe anything I remember.

.Michael Tee April 2003

 

The dirty linen.... M Squared not a good idea - just an accident at birth!

Ironically - not even a good idea - but in fact an accident at birth. It was hatched in Xmas 1979 by Mitchell Jones & myself - Michael Tee (hence m2-geddit?) and then Dru & Patrick.. it snowballed for a couple of years .. propelled by its own lack of cognition and inspired amateurism. Though it started off fairly open ended and free - a bit naughty Ñ risky É the joke, the speed, lack of consultation / consensus and the misogyny wore somewhat thin Ñ [depending on where you were positioned within M Squared - according to your age, gender, class].

Mitch seems to think that it stopped being alive after his nuptials with Dru in 1984, but I suggest that it died much earlier when, without consultation, M Squared released the awful series of Eps by the Same, Coolies and Xero É it really stopped being M "Squared" just "M" and a lot less than itÕs exponential potential.

It also had a lot to do with money, money decisions, Ôjust too lateÕ business and amphetamine commonsense. But I was too stupid (green/unconscious) and too lazy to do something about it and instead coasted on the earlier momentum/inertia or else scowled from the sidelines. We was just kids! Sadly, I lost some dear friends along the way.

However this did not occur to me until much later.

In a true sense M Squared was perhaps alternative - and so were many others like ourselves... (long forgotten) - our bickering and continued lack of consultation and respect ensures this. Too stupid and full of ourselves. Too scared of failure to market ourselves. Irony was always our last resort.

M Squared happened at no's 1 and 3 Wilshire St, Surry Hills between 1979 and 1984.

 

I guess you had to be there !!

Amidst the crap and selective listening and recycling were a few hits- 'Prat Culture,Vessels etc' and many more stinkers 'Xero,Coolies,EST,The Same etc.." at the heart of M Squared were SCATTERED ORDER, SYSTEMASTICS, DEAD TRAVEL FAST and PROD and all of their hybrids and short lived complicities (SPLENDID MESS, PLEASANT PEASANTS)- this was the good stuff. [see the MSquared disco]

In 1980 it was funny (you had to be there) PiL had just done Metal Box; Ian Curtis was still warmish; The Residents hadn't stretched their muse; the ghosts of Can + Neu + Faust still lived on; synths were still monophonic (not poly) and analogue; Eno's voice and lyrics were still potent; Bowie hadn't done Lets Dance ; Cabernet Voltaire (a good drop) and Throbbing Gristle (bring your own toothpix) made noise; Wire were still a good pop band; the Birthday Party sounded like a xerox of the Pop Group; people would shout out "where is your drummer!"; the Australia Musician's Union would hassle us about our drum machines putting drummers out of work.

IN MY "PRE DIGITAL" DAY KIDDIES ... it was tape loops and not samples. Thank dog we did not have Pro Tools!

Outside -in the real world- apart from the sort of kinfolk of the Birthday Party, Voigt / Wild West / PelMel / Limp / Slugfuckers / TameOmearas / TchTchTch / Terse-Severed Heads /the Doublethinkers.. [for more on the Sydney postpunk thing see Phil Turnbil's excellent site!] the blokes of Oz-rock played their boogie-rock ornew wave pub rock. Waiting in the wings were the sons and sons of the Birdmen / Ramones / American 60's nuggets and other sounds of swampy beast things .

In Sydney 1980 the live pub scene was booming, there was a small space in the inner city [Trade Union Club, Governor's Pleasure, San Miguell, Paddington Green/Brownies, and the Paddington Town Hall] for the M Squared bands to draw 1000 people every week, and yet all of the Sydney booking agencies continued a "scorched earth policy", milking the live scene dry... not developing or nurturing new ideas or talent .... thinking that the old ideas would work forever that there would always be another Chisel/INXS etc... and so the M squared bands could seldom venture out into the suburbs of Sydney. M Squared and friends became the property of the chosen few (thousand) in the inner city.

I am sure that M Squared baods would have been happy to play anywhere.

Michael Tee - early 2001 [revised Jan 2003]

 

[for me] The best 2 things about the whole MSquared shebang were:

1. Our cheap studio (built December 1979) which was a magnet for all of the interesting and eccentric bands, hybrids and partners. As the engineers / producers we got to hear some magnificent and raw stuff see Phil's excellent No Nigh t Sweats site for more kind words about these bands. Unfortunately we also got to hear early Hoodoo Gurus etc..

2. The monthly(ish) "Tinkily Bonk Balls" at St Peter's Hall on Devonshire St where we get together 10 bands of various profiles and each would play for 15 - 20 mins ... generating variety in the arts. For me the "superstars" of the Tinkilies were the very dry Nov U Bleet (or was it Nov A Bleet).... kind of like a smarter and more pomo-savy Go Betweens. Some of the package nights at the long gone Trade Union Club were comparable. The patron saint of the Tinkily bonks was Astroboy.

Alas.. M Squared was charcterised by a complete lack of ambition.. by the time we got a record out we were bored with it and looking to our next one. We gave away free studio time, under cut overselves and generally had a good time.. a bit like the dealer who sells a bit so that they can earn a bit of free smoke (maaaaan!) . We released stuff in Europe without contracts.. no money. Our stuff was played on all of the US College radio stations but we just laughed never bothered to follow up US or UK releases.

Unfortunately after 5 years together we were on different drugs / planets.

Michael Tee May 2001

 

SPK (yawn!)..... and then my mind split open..........

A few people have emailed me asking me about SPK. Various members of SPK (1980-82) - some of them as "SoliPsiK" had a little bit to do with M Squared. I can remember engineering the SoliPsiK contribution to our "A Selection" collection in 1981 and during the recording feeling a little sad for Nihil - at his inability to disconnect from his particular aural fantasy- but a gentle likable chap. After his suicide a few weeks later (or was I dreaming) he perhaps became a metaphor for futility in my life.

The rest of SPK (that weren't solipsik) were a bunch of wankers with no sense of humour, far too serious [f]"artistes" with dubious gender politics which could rival M Squared's own dubious fraternity. Their moment in time had come a year or so earlier at the legendary (yawnn) Sydney Brickworks Gig. The bossy one was called Graham.... I think. It was post Alice Cooper and proto - Marilyn Manson / NIN - go down to the morgue today... really scarey maaaan !!!!!!!!!!!!!!!!!!!!!

Like a lot ofthe early M Squared stuff I thought at the time SPK was basically the sort of music that people first make when they realise they can't play heavy metal guitar or the Velvets "Heard her call my name/ Sister Ray " but soon discover that the synthesiser and studio could make significant noise.... (we used to describe Scattered Order as "white noise with a beat").

Twenty years on the msquared solipsik stuff sounds neatly refined and disciplined to me - I am glad we released that stuff. I am glad that we didn't get to release the SPK album from the wanker lot.

Guy Francois writes: "Please check out my site : http://home.pi.be/~spk thee reference site on SPK"

Michael Tee August 2001